Wabash Prize — NOW OPEN!
Final Fiction Judge: Adam Johnson
Final Poetry Judge: Reginald Dwayne Betts
Submissions for the annual Wabash Prize in poetry or fiction are currently only accepted online. If you would like to submit for the prize, please see the separate guidelines on our contest page.
General Reading Period
September 1 – March 31. Submissions sent at other times will go unread. However, during contest periods we do not accept standard submissions in the contest genre. For example, during our fiction and poetry contest that runs from Oct. 1 – Nov. 15, we do not accept standard fiction or poetry submissions. Nonfiction submissions are welcomed, but those poets and fiction writers wishing to be considered for publication during this time should submit to the contest!
Sycamore Review is looking for original poetry, fiction, non-fiction and art (scroll down for our genre editors’ Aesthetic Statements). We accept unsolicited submissions of fiction, poetry, and non-fiction. Please query for art and book reviews.
At this time we are not able to accept outside interviews, previously published works (except for translations) or genre pieces (conventional science fiction, romance, horror, etc.). Unless explicitly asked by an editor, submit no more than twice per year.
As of August 15 2010, Sycamore Review accepts ONLY online submissions. Mailed submissions will be discarded. In our online submissions system, follow the instructions for creating an account (if this is your first time submitting to SR), and upload your piece.
Submissions are limited to one work at a time for fiction and non-fiction, and no more than five poems, which should be included in a single document. Please submit a .docx, .pdf, or .rtf file and include a cover letter in the comments section. We’d like to know a little bit about you and your work.
We do accept simultaneous submissions, but request prompt notification if the work is accepted elsewhere. When it comes to poetry, you should withdraw your poems if they are accepted for publication elsewhere (or poem as the case may be) by adding a note on Submittable.
Sycamore Review does not publish creative work by any student currently attending Purdue University. Former students should wait one calendar year before submitting.
POETRY manuscripts should be typed single-spaced, one poem to a page. Please submit no more than twice per reading period.
PROSE should be typed double-spaced, with numbered pages and the author’s name and title of the work easily visible on each page. Wait until you have received a response to submit again. Please submit no more than twice per reading period.
NONFICTION should be literary memoir or creative personal essay. Sycamore Review does not publish scholarly articles or journalistic pieces, though we do publish experiential journalism with a memoir bent. We are interested in originality, brevity, significance, strong dialogue, and vivid detail. There is no maximum page count, but remember that the longer the piece is, the more compelling each page must be. Wait until you have received a response to submit again.
TRANSLATION Please submit no more than one story, essay, novel excerpt, or up to five poems. Please submit a .doc or .rtf file only and include a cover letter in the comments section. We’d like to know a little bit about you and your work. Additionally, if the submission is a prose piece, please designate the genre between fiction, non-fiction, or prose poetry/hybrid genre in the cover letter. Translators will be asked to provide a version of any accepted pieces in the source language. Both the translator and the original author will be paid at the standard rate when applicable.
ART Sycamore Review is currently seeking a visual artist for Issue 27.2! Interested artists should email a sample of their work (5-10 high-res images) or link to an online portfolio or personal blog site to Rachel Reynolds, Art Editor, at email@example.com by March 15. Cover letter is optional. All media and mediums welcome.
In most cases, submissions should be withdrawn through our submission manager. For partial poetry withdraws or genre-specific queries, please contact the appropriate editor:
For general questions, please email us at firstname.lastname@example.org or write via post to Sycamore Review, Purdue University, Department of English, 500 Oval Drive, West Lafayette, IN 47907.
If you are interested in having your recently-published or forthcoming book reviewed either on the website or in the journal, or if you have written a review of a forthcoming book, please contact Book Review Editor, Diana Clark, at email@example.com.
Rights & Payment
Purdue University acquires first-time North American rights, including electronic rights, for work published in Sycamore Review. After publication, all rights revert to the author. For unsolicited printed work, Sycamore Review pays each contributor two copies, and $50 per short story or non-fiction piece, or $25 per poem.
Sycamore Review does not have a permanent aesthetic statement because of the nature of our editorship. That said, our genre editors do have preferences that you, as a potential submitter, might be curious about. Please remember, however, that we are constantly surprised by the pieces we end up liking the most. This, we believe, is one of the great pleasures of literature — its ability to undermine our presuppositions, to open our eyes, to stretch our hearts and minds.
Our Fiction Aesthetic
We’re looking for a wide-ranging diversity of style, content, and vision. Send us stories grand in conception and exacting in execution, written with lush yet precise language; stories that matter, that linger, that challenge assumptions and say something new.. – Robert Powers & Gabriela Garcia, Fiction Editors
Our Poetry Aesthetic
I’m looking for poems that I can sink my eyes and teeth into. Poems with an emotional core, poems that open up or fold in, poems that yield new meaning upon looking. Form and not form. Music and mystery. Hybrid and prose poetry welcome. — Alex Mouw & Maryam Ghafoor, Poetry Editors
Our Creative Non-Fiction Aesthetic
I’m looking for CNF essays that are heart-wrenching and/or hilarious but that, at the same time, are a treat to read because of their brilliant language. The best CNF rides the wave of fiction plot lines on a raft of poetic language straight into the reader’s heart and mind because, ultimately, it’s all true. – Samantha Atkins, Creative Non-Fiction Editor