Submissions for the annual Wabash Prize in poetry or fiction are currently only accepted online. If you would like to submit for the prize, please see the separate guidelines on our contest page.
September 1 – March 31. Submissions sent at other times will go unread.
Sycamore Review is looking for original poetry, fiction, non-fiction and art (scroll down for our genre editors’ Aesthetic Statements). We accept unsolicited submissions of fiction, poetry, and non-fiction. Please query for art and book reviews.
At this time we are not able to accept outside interviews, previously published works (except for translations) or genre pieces (conventional science fiction, romance, horror, etc.). Unless explicitly asked by an editor, submit no more than twice per year.
As of August 15 2010, Sycamore Review accepts ONLY online submissions. Mailed submissions will be discarded. In our online submission manager, follow the instructions for creating an account (if this is your first time submitting to SR), and upload your piece.
Submissions are limited to one work at a time for fiction and non-fiction, and no more than five poems, which should be included in a single document. Please submit a .doc or .rtf file only and include a cover letter in the comments section. We’d like to know a little bit about you and your work.
We do accept simultaneous submissions, but request prompt notification if the work is accepted elsewhere. Please note simultaneous submissions in your cover letter.
Sycamore Review does not publish creative work by any student currently attending Purdue University. Former students should wait one calendar year before submitting.
POETRY manuscripts should be typed single-spaced, one poem to a page. Please submit no more than twice per reading period.
PROSE should be typed double-spaced, with numbered pages and the author’s name and title of the work easily visible on each page. Wait until you have received a response to submit again. Please submit no more than twice per reading period.
NONFICTION should be literary memoir or creative personal essay. Sycamore Review does not publish scholarly articles or journalistic pieces, though we do publish experiential journalism with a memoir bent. We are interested in originality, brevity, significance, strong dialogue, and vivid detail. There is no maximum page count, but remember that the longer the piece is, the more compelling each page must be. Wait until you have received a response to submit again.
ART If you are interested in submitting art for our print issue, please send a query email describing your work and introducing yourself. Do NOT send unsolicited images attached to emails. Your email will be deleted without being opened (we fear viruses). To submit work, please note in your emailed query a web address where your work can be viewed and indicate which pieces you would like considered.
In most cases, submissions should be withdrawn through our submission manager. For partial poetry withdraws or genre-specific queries, please contact the appropriate editor:
For general questions, please email us at firstname.lastname@example.org or write via post to Sycamore Review, Purdue University, Department of English, 500 Oval Drive, West Lafayette, IN 47907.
If you are interested in having your recently-published or forthcoming book reviewed either on the website or in the journal, or if you have written a review of a forthcoming book, please contact Book Review Editor, Rebecca McKanna, at email@example.com.
Rights & Payment
Purdue University acquires first-time North American rights, including electronic rights, for work published in Sycamore Review. After publication, all rights revert to the author. For unsolicited printed work, Sycamore Review pays each contributor two copies, and $50 per short story or non-fiction piece, or $25 per poem.
Sycamore Review does not have a permanent aesthetic statement because of the nature of our editorship. That said, our genre editors do have preferences that you, as a potential submitter, might be curious about. Please remember, however, that we are constantly surprised by the pieces we end up liking the most. This, we believe, is one of the great pleasures of literature — its ability to undermine our presuppositions, to open our eyes, to stretch our hearts and minds.
Looking for poems. Must have a good sense of hygiene, be well-groomed. Into music and form and not form. Free to smoke and keep late hours, but must bring own stereo. Should be able to engage in witty banter and wax philosophical. No allergies. Pets welcome. — Emily Skaja and Julie Henson, Poetry Co-Editors
I’m a sucker for a good ending. A beginning too, but, man, do I want to feel something in that last paragraph. Maybe punched in the gut. Maybe in the heart. Maybe so much delight and surprise, I smile. Bring on that play, that energy, and that emotional honesty, and I’ll never forget your story.– Natalie Lund, Fiction Editor
I’m drawn to writing that pulls me into the writer’s life and experience on the first page. Yes please to wit, honest query, self-exploration, and lush sentences. The subject matter doesn’t have to be fancy, but the re-living of the experience – both for the writer and for the reader – should be downright captivating. Nontraditional pieces and hybrid essays welcome. — Brianne Carpenter, Nonfiction Editor