By Erin Blakeslee, Editorial Assistant
If you've made it to SXSW or other independent film festivals these
past few years - or have added the films of said ilk to your Netflix
queue - you may have witnessed the emergence of a new cinema movement,
dubbed "mumblecore" by reviewers and critics.
Mumblecore films - The Puffy Chair, LOL, Hannah Takes the Stairs, Quiet City,
and others - take the DIY slacker aesthetic of '90s indie heroes
Richard Linklater and Kevin Smith, and take it even further (or
backwards?): their budgets are even lower, their look, even more
careless. They are united in both community (directors and actors often
swap roles in one another's films) and content. The recipe for the
standard mumblecore piece: take just a wisp of a plot, throw in some
emotionally-stunted, intellectually-witty, twenty-something hipsters,
and proceed to let them banter about their insecurities for about
ninety minutes in front of a handheld camera.
Many
mumblecore films evidence little appeal beyond a small demographic
(i.e., emotionally-stunted, intellectually-witty, twenty-something
hipsters willing to sit through ninety plotless minutes), but the work
of writer-director-actor Andrew Bujalski (Funny Ha Ha and Mutual Appreciation
- the latter of which features some great tunes from indie band Bishop
Allen) proves not only tolerable to watch, but often understatedly
poignant and engaging. I was excited to read recently, then, that
Bujalski is currently working on a screenplay adaptation of Benjamin
Kunkel's 2005 novel Indecision, one of this decade's
quintessential tales of an emotionally-stunted, intellectually-witty,
twenty-something hipster. Producer Scott Rudin and Paramount Pictures
are behind this one, so you can probably expect some on-location
shooting in South America for the film's third-act and, quite possibly,
the very first mumblecore flick to use a Steadicam.
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